Sunday Fantasy plays with dissecting current representations of the erotic through a queered lens, in relation to notions of hedonism, role-play and the grotesque.  The film follows a fragmented, dreamlike narrative centred around the character Veronica Malaise, who is played by 4 interchangeable women. The discontented Veronica finds an ancient, glass, scent bottle in the shape of a shell, on a beach near the mouth of the Thames Estuary. The bottle is possessed by the spirit of its previous owner, a fictional lesbian priestess from the Roman Empire, who used it to distil and realise her erotic fantasies. When rubbed on the nape of the neck or the genitals, the bottle has the power to make real the fantasies of the person possessing it. The film charts the non-linear journey of the Veronicas’ and the rise and demise of their fantasies through the manipulation of the bottle.